Peter Bennison is an english architect working in Paris. Peter writes:

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LECTURES

3D Modelling: Howard Gill
Very interesting introduction to Architerra, ArchiFacade, billboard techniques, ArchiGlazing, GDL Toolbox - particularly useful to those who have not tried these Addons Good tips on 'quick + dirty' 3d views to sell the project! Howard's talks are always very clear, he covers a lot of ground.

ENCOUNTER

I was in Matthew Lohden's group - most of us seemed to be small office users, mostly domestic work, ML would have the info on this. Encouraging comments from those who have made the switch to AC8 even on Mac, I have all this to experience in the next few weeks (AC8, Mac G5, Mac OS10). Common wishlist item: the ability to nest layers + layer combos in folders + sub-folders to reduce navigating through long lists of 100's of layers that never fit on the screen.

CASE STUDIES

Kajima

Very interesting insight into the world of the bigtime contractor, again encouraging to hear of such a major group's commitment to the virtual building model, using NavisWorks to make VR's and generally navigate and clash detect very fast trough a much bigger model than AC can handle.
Begs the question - why they are redoing the 3d work that their architects should have done ? I'm sure that everyone in the audience uses AC 3d capabilities to perform our own form of clash detection as a matter of course in designing in a 3d way. Nice to see a building contractor guy get enthusiastic about the virtual building model.
PS : please can I get on their list of approved architects, must contact Paris office !Kendrick Homes

Kendrick Homes

Again, an interesting insight into the world of the medium size contractor, encouraging to hear of such a group's commitment to AC and the virtual building model. Dave is a good and entertaining speaker, nice line in English irony. I'm sure that a large part of the audience identified strongly with his AC learning process.

Seymour Harris.

Another amusing talk, an interesting insight into the world of the large architectural office. This is an now unfamiliar environment for me, but I was interested in Chris's techniques for inspiring and supervising new and junior AC users.

Dwight Atkinson - evening lecture

Yet another truly inspiring and hugely impressive talk from Dwight. The possibilities for working up presentations seem endless, in the end the choice often has to come down to the quality of the artist's eye. Coming from an artistic background I feel comfortable with this myself, but I wonder sometimes if the more technical members of the audience will ever understand the subtleties - some of the renderings that are shown around (see some recent postings on Architalk) are truly awful.
   Terrifying experience for Hakim as his renderings were 'improved' real time on screen by Dwight. How you do know when to stop ? Back to the artist's eye question. But then Dwight's presentations are certainly the best way to to get people interested in improving their techniques.

GRAPHISOFT

Impressive turnout from Graphisoft, maybe they really do appreciate their users !

Ray Small : Company Statement

Quick look at GS's financial performance, basically back in profit but on a reduced turnover due to extensive cost cutting. Not bad in terms of overall recession hitting the market generally, competitors have suffered worst, particularly those who took a ride on the dot.com boom.
A frank admission of bungled AC8 launch, procedures have changed, heads have rolled, product responsibility is now taken on an individual basis rather than on previous 'it's not my fault' committee system. Reassurance on the important of research and development, presentation of a clear long term view for the future of GS now being applied to all GS subsidiaries in all countries.
New MD for the UK : Paul Lethbridge, clearly a man who knows the product and his market. It's encouraging to hear of GS's commitment, even to the Mac platform. I feel confident that such an innovative and in most respects unique product as AC is bound to survive and flourish, particularly when looked at in conjunction with GS investment in the promotion of GDL + IFC.Ray Small CEO

Simon Gilbert : ArchiCAD 8.1

A very competent and encouraging (to those who suffered in the switch to AC8) run through of promised fixes + new features in forthcoming (free!, UK
release for October ??) update from AC8v3 > 8.1.
AC8.1 : improved 2d representation of composites, wall + beam capping and wrapping, automatic clean up at crossover points without having to trim, GDL hotspots, single key shortcuts for all tools, more display option parameters in quick views, at last printing from marqueed zone, headers + footers in print outs direct from AC, at last all colours to black option within AC.
PM3 : new title type menu to label individual drawings placed in a layout sheet inc reference to sheet on detail markers, new option not to update certain attributes from the viewset, if printed to Amyuni .pdf the viewset will incorporate hyperlinks to navigate around the layout (unfortunately PC only for the moment), creation of x-ref drawings to .dwg, automatic pen colour adjustment in save out to .dwg.

Andras Haidekker : RedSquare

More evidence of GS's commitment to GDL, a working tool to insert parametric GDL objects into Autocad in a bid to widen the potential market and thus encourage manufacturers to create GDL catalogues. All very encouraging for AC's future. This was the most interesting part of the GS presentation, concerning the ability to deal with whole groups of furniture ranges or whatever, placing GDL objects in a coordinated and flexible modular way. Should be of huge interest to all the office furniture/space planning and kitchen manufacturer/planner outfits.
PS : we saw this demonstrated last year, in conjunction with an Eon ? 3d viewer, whatever happened to that ?

John Mitchell : IFC

An explanation of Industry Foundation Classes, again more evidence of GS's commitment to GDL and IFC, showing how facilities management software (ArchiFM?) can quickly read all the 3d intelligent information inherent in all the building elements contained in an AC virtual model, whether walls, slabs or objects and all associated parameters.
   This appears to be the UK (and EEC ?) government backed future, showing standards to be adhered to to enable reading off of information, and again implications very encouraging for AC's future. Followed by a demonstration of a 3d viewer called nD Modeller created by Charlie Fu for a Salford University IFC research programme. It can open an AC (or Navisworks) model, show VR models, fly throughs etc, preview. and analyse all building elements, including life cycle and costing information if suitable parameters are built in.

Kajima Statement : Roy Marshall

An overview of the huge Kajima design and build group from Japan's world-wide activities, underlining their commitment to the virtual building model, featuring AC and NavisWorks, an obvious coup for GS. Surely GS will survive with all this going for them, and us ?

Piranesi 3D Painting : David Rimmington

Very interesting summary of this 3d painting software from Informatix of Cambridge, capable of rendering a view taken from any AC (or other) model, reading the encoded 3d information to ensure correct lining up of paint finishes and textures, and billboard objects with the correct perspective. Enables highly attractive and seductive views to be created in a sketchy way very early on in the design process, saving time spent in applying correct textures within AC and then rendering.
 The purist renderers might argue that there is no substitute for correct material/texture rendering and lighting of the accurate 3D model, and indeed some material/texture management must be included in the AC model to allow Piranesi to know automatically which surfaces to paint with what (using material lock facility), but I think that clients will love these quickly obtained presentations.
Piranesi has come on a lot since I first saw it briefly demonstrated by Geoffroy Magnan at ACUE 2000.

Workshops, Friday afternoon

Piranesi : David Rimmington

More detailed demonstration of Piranesi 3, very competent run through by David. Save out view from AC by EPIX plug-in on AC 6.5 or 7, integrated in AC 8v3 Each pixel in the saved view contains encoded information RBGY + material + distance from camera.
Combinations of 'material lock', 'plane lock', 'colour lock', 'orientation lock' for painting the model, all keeping perspective view.
Combinations of colour strengths / opacity/style variables/scaleable textures. Overlay option allows you to keep shadows generated in model view..
Textures and billboard objects (2000 ?) available on Piranesi CD, or import your own. Artlantis shaders do not function (programme specific).
Basic drawing tools, plan views of trees etc available for touching up garden plan views for instance.
Cost £450, PC and Mac. The Mac (OSX) version has a very nice and improved interface, clearer and more precise slider controls of colours, intensities and textures.
Matthew Lohden made the point that if Photoshop users will generally benefit from a background knowledge in photography, then Piranesi users will certainly benefit from a background knowledge in watercolour or other artistic skills. This is certainly true, David's examples (an architect's eye) looked fine, some other examples he showed were awful, some very good. Be nice to have Dwight's view, I believe that he was a beta tester for v3.0.

Zoom GDL : Ildiko Szabo

A charming low key presentation of Zoom GDL 2.1 by Abvent, with an exercise tutorial in the form of a parametric coffee table object.
New feature, can now print direct from Zoom GDL. Used in conjunction with AC7 or AC8, creates its own GDL library with .esn objects.
Zoom GDL Converter included will update objects made from older Zoom 2.0 for use in AC8.
Tutorial exercise, use of simultaneous interactive plan, elevation and 3d view windows in 4-way split screen, tool menu, cursor types, shortcut keys - all broadly as AC, a family resemblance at least.
Use of different nameable layers and visible/invisible command to create different parametric options for scale sensitive parameters, different
finishes, materials, appearances etc.
When imported into AC these layers are converted into parameters in the object menu, not simply added to the AC layer list.
I was a little frustrated by the slow pace around the table, did not really see any great examples of the curvy objects and so on that can be created in Zoom GDL, also failed to explore the possibility that interests me of creating objects such as display units where the module width can be changed while keeping same side panels etc, i.e. not a global stretch. I know roughly how to do this in GDL scripting, was just interested to see if it could be done even easier (sorry DNC) in Zoom GDL.
I would also liked to have seen something on Artlantis 4.5. I possess both these products, have hardly opened the box.

Saturday morning : Semi Plenary on Construction Documentation with ArchiCAD etc : Matthew Lohden

Difficult choice between this and Dwight's : in the end I attended Matthew's session on Standards and Practices and learnt a lot on how to organise the efficient use of AC in the office environment.Working mostly on my own I find it hard to put time aside to reflect on good standards and practices, just tend to do it in a rather ad hoc way, building from experience gained on the previous project by effectively using it as a template for the next one, so in this way I do have a standard and evolving
pens and colour list and layer system. But I learnt a great deal from Matthew's presentation and experience.

The Ideal - to model the building entirely and animate all the views.
The Reality - producing the drawings while maintaining the model in the real world.
The Practice - to help the above with the establishment and maintenance of office standard practices.

Some key ML recommendations to remember :
* As a general rule, model the building as far as you have to so it looks good at 1:100.
* If the model is clean at 1:100 then it will still be clean at 1:20, the detail can be added in 2d.
* Use of patches to cover the embarrassing bits - e.g; use a white fill with a blue outline (so that you can see where it is) that prints blue in PM.
* Keeping the S/E views linked until detail design development stage, at that point unlink and turn on elevation hatching, shadows etc. The copy and move over technique (in x plane to keep height level dimensioning in place) to keep track of modifications as the views are rebuilt.
* Use of one pen set for AC, another pen set for PM. The PM might have the top 80 pens all in black, including a greyscale range for for elevation hatching, flloor finishes or other line work that you do not want interfering with annotations in black for instance.
* ML's diagram of the 2 interlocking wedges illustrating typical project progression from 99% 3D work/1% 2D work at outset sketch stage to 99% 2D work/1% 3D work at final detail design stage.
* How to review the project - the best way is often still to look at the drawings. Even a high resolution screen is till only maybe 1% of the resolution of an A1 sheet! Back to the old days of the project architect or partner in charge redlining the drawing boards at night or weekends. Suggest installing say a weekly print out and review.

Which leads into how to organise the drawing office :

1. Standards

=Establishment of a clear and publishable set of standards :
=Project organisation - a recognisable common folder structure and hierarchy for storing the information.
=File attributes - again a recognisable organisation and hierarchy, notably for pens and layers.
=Drawings and graphics - this is what we like our drawings to look like, clear, concise and above all required information.
=Keep the office manual brief, 20/30 pages maximum.
=Use of templates, including drawing sheets of electrical symbols etc. that can be used as key legends in the drawing sheet.

ML notes that more and more offices are moving away from systematically loading the entire AC standard library (not to mention AC libraries from previous versions) but creating a selection as an office library for loading on each workstation, keeping the main library on a server. Time saving in avoiding the loading of huge libraries, 95% of which are never used.

2. Methods

Recommended procedures, classified according to design phase. The manual should be a "living" thing, evolving to include new methods an techniques (see below), encouraging all to participate as a way to promote a pride in one's own work.

3. Techniques

The manual should include all relevant "tip and technique" type information (whether presentation, design or management questions), presented in a simple format as a way of capturing the knowledge of all permanent or temporary office contributors as a living record, including the actual multiple templates themselves to form a starting point for each project.

On to the production of Construction Drawings :
= ML ran through a typical project in AC8 + PM3, looking at Publishing, the Navigator, the Project Map, Viewsets. The default Publishing format is still .dwf - a historical remnant of the initial excitement about publishing to the web. It soon became clear that the interest of the technique was in producing the printed output.
= ML feels that the .pdf route is better than the publishing to the web, Acrobat's redlining possibilities are now just as good. Publish now with the advent of PM3, but as general rule ML prefers to Publish manually to check on the output right up to the deadline.
= How to add new sheets or revisions to the Layout Book ? One way is to create a new Subset at the end of the Book for new sheets and print selected items from the Navigator. Revision histories are still tricky to deal with, just have to be organised.
= ML recommends making a .pdf of the whole Layout Book once that it has been issued, in this way the Layout Book can be kept live. Save time by keeping the Layout Book small, divide it up into separate Layout Books.
= ML is still following the save as .pmk Publishing technique from AC7 days, a little distrustful of the linked .pln route.
= Use the "save visible Layers only" option in save as .pmk Publishing, the one drawing equals one view approach is still more reliable than saving a single .pmk file with all Layers and the using Layer Combos within PM to achieve the different plans. This also helps in saving out .dwg files from PM, you only get what you need.
= Pen colours and numbers - ML had detailed .pdf's of his own pen colour charts (which I for one would like to obtain for a closer look). difficult to note it all down (a lecture note handout after the event would have been great here), but here are some hints :
- Pens Nos 1-10 are assigned to fixed functions.
- No 1 is for all things cut in section, No 7 is always plumbing (set up all plumbing fixtures in the office library to default to this pen),
- No 8 is always doors or windows (same library technique) for instance.
- Pens Nos 11-20 are assigned to additional special functions.
- Note : for Material colours, ML recommends doing this within the Material menus rather than modifying each Wall then changes are effected globally to the project.
- Make a duplicate of Pens Nos 1-10 in greyscale for use as "existing" conditions within the "proposed" project model. These can then be manipulated in the separate PM Pen Set to print black, "pop in" or "pop out".
- Pens Nos 81-90 are assigned to "non-printing" pens, such as No 85 for a non-repro blue.
- Pens Nos 241-255 are used for Zone colours when using vector fill in PM - remember that PM knows how to select automatically a Pen Colour to match to
a particular AC colour. Note : if adjoiningelementssuchas Walls and Slabs are assigned the same empty fill the all junctions will clean up with a single outline.

OK, that's all I got down on paper from a very inspiring and informative talk - I would have liked to see Matthew's other presentations too, but the choice was so good!

I was glad to see PM treated as an essential tool, it has come in for such a lot of stick in the past - but then I have always liked it as ways of
achieving such nice mixed scale and representation in the drawing sheets is difficult to organise in printing direct from AC. And now PM3 is a huge leap in productivity. It reminded me of Duane's talk last year, and how one of the main plus points of ACUE for me is seeing how such experienced hands use AC and
(hopefully) being encouraged that I have been going the right way too.

Saturday Morning : Advanced GDL workshop : David Nicholson-Cole

I rather rashly signed up for DNC's Advanced GDL workshop, and now realise that I am a mere Beginner !
But hey! I can manage to do what I often need in my work - parametric sets of shop display and office furniture and other basic stuff. So nice to be able to make modular wall runs and change in a few clicks from 1000 mm to 1250 mm module, not to mention no of shelves, height and everything else and reconfigure the whole plan, all thanks to DNC's previous ACUE Beginner GDL courses and dedicated reading of his excellent Cookbook.

David has described elsewhere what we ran through in this last workshop - it just needs saying that it was great as always to be inspired by his skill and enthusiasm, and dream of wonders that we could one day achieve. Also interesting in the context of the hoped-for GDL revolution.